What Did Jesus Do?
An interesting article on Jesus at The New Yorker. Here's just a bit of it ....
What Did Jesus Do?
Reading and unreading the Gospels.
by Adam Gopnik
May 24, 2010
[...] Mark invents the idea that Jesus’ secret was not that he was the “Davidic” messiah, the Arthur-like returning king, but that he was someone even bigger: the Son of God, whose return would signify the end of time and the birth of the Kingdom of God. The literary critic Frank Kermode, in “The Genesis of Secrecy” (1979), a pioneering attempt to read Mark seriously as poetic literature, made a similar point, though his is less historical than interpretative. Kermode considers Mark to be, as the French would say, a text that reads itself: the secret it contains is that its central figure is keeping a secret that we can never really get. It is an intentionally open-ended story, prematurely closed, a mystery without a single solution.
Even if we make allowances for Mark’s cryptic tracery, the human traits of his Jesus are evident: intelligence, short temper, and an ironic, duelling wit. What seems new about Jesus is not his piety or divine detachment but the humanity of his irritability and impatience. He’s no Buddha. He gets annoyed at the stupidity of his followers, their inability to grasp an obvious point. “Do you have eyes but fail to see?” he asks the hapless disciples. The fine English actor Alec McCowen used to do a one-man show in which he recited Mark, complete, and his Jesus came alive instantly as a familiar human type—the Gandhi-Malcolm-Martin kind of charismatic leader of an oppressed people, with a character that clicks into focus as you begin to dramatize it. He’s verbally spry and even a little shifty. He likes defiant, enigmatic paradoxes and pregnant parables that never quite close, perhaps by design. A story about a vineyard whose ungrateful husbandmen keep killing the servants sent to them is an anti-establishment, even an anti-clerical story, but it isn’t so obvious as to get him in trouble. The suspicious priests keep trying to catch him out in a declaration of anti-Roman sentiment: Is it lawful to give tribute to Caesar or not, they ask—that is, do you recognize Roman authority or don’t you? He has a penny brought out, sees the picture of the emperor on it, and, shrugging, says to give to the state everything that rightly belongs to the state. The brilliance of that famous crack is that Jesus turns the question back on the questioner, in mock-innocence. Why, you give the king the king’s things and God God’s. Of course, this leaves open the real question: what is Caesar’s and what is God’s? It’s a tautology designed to evade self-incrimination.
Jesus’ morality has a brash, sidewise indifference to conventional ideas of goodness. His pet style blends the epigrammatic with the enigmatic. When he makes that complaint about the prophet having no honor in his own home town, or says exasperatedly that there is no point in lighting a candle unless you intend to put it in a candlestick, his voice carries a disdain for the props of piety that still feels startling. And so with the tale of the boy who wastes his inheritance but gets a feast from his father, while his dutiful brother doesn’t; or the one about the weeping whore who is worthier than her good, prim onlookers; or about the passionate Mary who is better than her hardworking sister Martha. There is a wild gaiety about Jesus’ moral teachings that still leaps off the page. He is informal in a new way, too, that remains unusual among prophets. MacCulloch points out that he continually addresses God as “Abba,” Father, or even Dad, and that the expression translated in the King James Version as a solemn “Verily I say unto you” is actually a quirky Aramaic throat-clearer, like Dr. Johnson’s “Depend upon it, Sir.”
Some of the sayings do have, in their contempt for material prosperity, the ring of Greek Cynic philosophy, but there is also something neither quite Greek nor quite Jewish about Jesus’ morality that makes it fresh and strange even now .....